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Inside the Blues
Charlie Love heads to Durban, South Africa as blues ambassador
by Liz Mandeville
Chicago blues singer, guitarist, harp player, bandleader, Charlie Love
is headed over to Durban South Africa this month to be United States
blues ambassador at the 2014 Durban International Blues Festival. The
Festival, which takes place every October in Durban, is celebrating its
tenth anniversary this year at Wilson’s Wharf on the beautiful Indian
Ocean.
The programmers like to have someone on the fest every year who
represents the Chicago sound. Since it’s done as a cultural enrichment
program, they also sponsor workshops and blues instruction in the small
theatre on site. Past performers have included a host of South African
blues players, Australian guitarist Fiona Boyes, Chicagoans Jimmy Burns,
Toronzo Cannon, Fruteland Jackson and me! I was honored to play the fest
two consecutive years. Believe me, the trip was well worth the 25 hours
spent flying. South Africa is not only a complex and beautiful country,
the South African musicians love the blues and they play it with
authenticity and vigor.
I had the good fortune to catch up with Charlie Love as he prepares for
the next step on his unfolding journey.
Born and raised in Chicago, Charlie picked up the blues as a child, “Mom
listened to the blues all the time. I was just listening to my mother’s
blues record and picked up the words. I always had a feel for it,” he
told me. He was singing by age seven. His dad played blues harp and
Charlie picked that up from him.
When it came to guitar his road was a little more challenging. Charlie’s
sister had a musician boyfriend named Jimmy Radcliff who caught Charlie
playing his guitar. “At first the guy was mad,” Charlie told me. “First
he said don’t play it and in the next breath he said do you want to
learn?” So Jimmy Radcliff let him keep on playing. Charlie kept playing
that guitar for months until it had only one string left. Finally Jimmy
put fresh strings on the guitar and showed Charlie a few chords. “Never
had any other lessons,” he explained. Charlie taught himself to play by
ear. “I figured if I just kept after it, practiced, something would come
of it.”
His first big break came at the hands of Chicago bandleader/guitarist
Buddy Scott, a man that was a mentor to many of us who are on the scene
today. Here’s how it happened. Charlie was walking down 43rd
Street with the guitar in a case on his back. Buddy was leaning on a car
out on the street. Buddy Scott said “Hey is that a guitar?” At first,
Charlie was hesitant to engage with the stranger, as people can be
unpredictable and he didn’t know if Buddy might try to take the guitar
or something. But Buddy was persistent, he insisted Charlie show him
what he could play. So finally Charlie got out his guitar and started
playing a Tyrone Davis song. But when it came to the chord change Buddy
said “No that aint right.” And he showed Charlie how the song was
played. Then Buddy invited Charlie to come out and sit in with his band
and that led to his first gig. “It was 59th and Halsted,”
Charlie said, “snow all over the place, but I was so happy! I got to
play and I got paid $10!”
That led to a longstanding gig with Buddy Scott’s band. Charlie played
with them every Friday and Saturday night down at Lee’s Unleaded Blues
at 7401 S. South Chicago Ave. That lasted for five or six years.
Finally, one night Charlie met bandleader, Casey Jones, on a show at
Roberts 500 Club. Charlie was singing one of Casey’s songs, “Please Mr.
Blues.” Casey heard him singing and told him “That’s my song, you can’t
sing that!” Charlie said “I’m sorry I didn’t know that was your tune,
who are you?” Casey said “I’m Casey Jones and that’s my song!” Charlie
has such a great attitude and laid back demeanor that pretty soon
Charlie was invited to jam on Casey’s weekly gig at the Kingston Mines.
The people at the Mines responded wildly to Charlie’s energetic show,
“everybody was up on the dance floor, it was a mess!” So that led to
Charlie being a regular guest and soon he’d been hired to play every
Monday night. It happened the night Sam Goode went out during the break
and didn’t come back. “Who’s going to play his show?” everyone was
asking, “I’m not playing his show and my show!” was Casey’s answer.
“Well, I’ll play it!” Charlie said and he proceeded to light that club
on fire! Doc Pellegrino, who owns the Mines, recognized a winning talent
and soon had hired Charlie to play with Casey’s band full time.
Charlie played with Casey Jones Band for a long time, but he wanted to
do his own music, have his own show. He’d gotten tired of being a side
man and one night he was talking to the drummer, Vernon Rogers, about
quitting the band to strike out on his own. “Don’t quit!” advised
Vernon, “Talk is that they’re gonna offer you your own night, so don’t
quit!” Charlie took the drummer’s advice and that very next Monday night
Doc asked Charlie to bring his own band in the following Sunday and be
the opener. Pretty soon he was there five nights a week.
Charlie has one CD to his credit,
So Happy I Could Cry, available at his shows. He is also a featured
artist on two tracks for the compilation CD on the
Severn Label titled
Chicago Blues Harmonica Project: More Rare Gems. The album
features the late Little Arthur Duncan, Harmonica Hinds, Reginald
Cooper, Big D and other Chicago blues harp players. A photo of Charlie
blowing harp graces the CD cover.
The multi-talented artist has most recently appeared on two tracks of
the new Blue Kitty Music release,
Heart ‘O’ Chicago, singing two duets with yours truly. Critics have
praised his singing, calling his contribution “…a magnificent soulful
duet.”
Charlie Love and his band Silky Smooth are in the finals for this years’
Windy City Blues Society Challenge after winning the first round. The
final showdown will be November 9, at Buddy Guy's Legends. Charlie is
philosophical about the possible win. “I just do me,” he said. “I hope
they like it, but I just do what I do. “
What he does is a force of nature. Charlie has his own style of guitar
playing that fits his natural groove, as sweet and satisfying as hot
caramel on ice cream. His singing has passion, urgency and just a touch
of gospel. He commands a band effortlessly and can smoothly transition
from down home blues to James Brown funk without missing a beat or a
step. He packs the dance floor everywhere he goes. I hope Durban is
ready to get sweaty!
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