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George Kalamaras So Many Roads for
Otis Rush
So, I’m walking the mountain roads tonight, Otis. further
in. That’s how your blues fastens me—soulful— to the Milky Way. To the stars. The fiery orange
bend in Jupiter says you too have eight fluid moons.
That your sun sign, Taurus, gave you a home—far from
Neshoba—steadying you into the orbit of notes. How could your recording of “I Can’t Quit
You Baby” possibly be as old as me? 1956 is a long life away. In hearing those riffs, perhaps I, too, fell from
the stars, unable to quit the world. As the Buddha said, we
all come back, time and again. You arrived this time to open our
hearts to the happy-sad that matters. Like the left-handed
practice of certain yogis, you flipped your guitar strings upside down to say
what we thought
was right could be better said from the opposite
end. Like wearing your cowboy hat on
and L.C.'s Checkerboard Lounge in the 70s, just under four
miles from where I was born in corridor, convinced you’d have a white-boy poet as
a godson from the stars? Did you hand out cigars and say,
One day he’ll carve my bluest
blues into poems
and unto the world? Now you are struggling, Otis. Wheeled from this venue to that. Your Gibson semi-hollow
355 is quiet. Still, that happy-sad. Electric cowboy that you are, I
always thought you’d take one of those
so many roads and ride off into blistering riffs of who and what we do. There are sunsets and
moon-glow. And sometimes each is the other. The sun quavering the strange
quixotic color of the moon. Like the lightning light of your left hand bend bending into Peter
Green. Into Eric Clapton. Mick whether in could they. So many roads, and one of the roads
they took was you.
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