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THE FUTURE OF THE BLUES Blues singer Shemekia Copeland, now a Chicagoan, rings in the New Year with awards, acclaim and a career retrospective CD. And she’s only 31.
Shemekia
carries the blues torch into the future, while remembering the past.
By Eric Schelkopf
It only seems fitting that Grammy-nominated blues singer and New York
transplant Shemekia Copeland has made Chicago
her home for the past seven years. Copeland's
ties to the city are strong. Starting
at age 18, she cut four albums for Chicago-based Alligator
Records, and now Alligator has just released "Deluxe
Edition, which features 16 tracks from her days with the label. The
critically-acclaimed blues singer will perform a New Year's Eve show at
S.P.A.C.E., 1245 Chicago
Ave., Evanston.
I had the opportunity to interview Copeland about a variety of topics,
including the influence of her father, the late Texas blues guitar
legend Johnny Clyde Copeland, and how she sees herself fitting into the
blues scene.
Q
- How do you like living in Chicago?
I love it. I think the people are friendly, and there is so much great
music around.
And Chicago has all the arts and culture. But it's a whole lot cleaner
and not as many people as in New York. Here in Chicago, you can actually
walk along Michigan Avenue and observe and look and see, and walk with a
certain amount of space around you.
Q
- It seems like you are always getting new honors. In October, you were
named Best Female Blues Artist at the 2010
Blues Blast Magazine Music Awards, and in
July you were named Female
Blues Artist of the Year
by Living Blues Magazine. Do these honors still surprise you?
You know, I look at it this way. God has blessed me to have a job doing
what I love, and I feel honored every day
that I have that.
A lot of people go to work every day and they hate their gig. But I love
mine, so I feel honored all the time. It's just a little icing on the
cake for me that people appreciate me.
Q
- Unfortunately, blues legend Koko Taylor passed away last year. A lot
of people said that you would inherit her
title as Queen of the Blues. Do you accept
that title?
Not really, because in my mind and heart, Koko will always be the Queen
of the Blues.
I'm honored that people would say that I have the goods. But she will
always be the Queen of the Blues as far as I am concerned.
Q
- Would you consider her a musical influence?
Absolutely. Not only that, she was also a personal influence, because
she was such a great lady.
She was so sweet to me. She would call me just to see how was I doing.
And when she didn't believe me when I told
her how I was doing, she'd call my mom to make sure I was telling
her the truth.
Q
- Alligator Records just released Deluxe Edition, which features tracks
from your Alligator albums over the
years. Are you happy with the tracks they
chose for the album?
Q
- Of course, last year you released Never Going Back, your debut on the
Telarc label. Are you working on any new music? What should people
expect from the new CD?
Well, I haven't started working on anything yet. You can have ideas in
your mind, but things kind of start taking
shape when you start working on it. I think it will be definitely
in the same vein as what I
was trying to do with
Never Going Back.
Q
- What were your main goals for that album?
I wanted to be more honest with my feelings and thoughts about what was
going on in the world.
I'm at the age (31years old) for that now. When I was just getting
started, nobody wanted to hear a teenager spew their opinions about what
they think is going on in the world, because they don't know shit.
Q
- Do you think your dad is still an influence on you?
Absolutely. I listen to him all the time just to get inspired. It's all
about how you were raised. All the lessons I learned from him about
being a musician and work ethic and all of that was great, but he was a
really great father too.
Q
- He brought you on stage at the Cotton Club in Harlem to sing when you
were just eight. Do you have any memories of that day?
I remember that plain as day. I was scared to death. That you don't
forget.
I like communicating with the people, and being there with the people.
That's my favorite part.
Q
- A few years back, there was a surge of interest in the blues, but it
seems like now it's hard to get people to listen to the blues. What do
you think it is going to take? Is it going to take younger people like
you to bring people to the blues?
I've stopped trying to figure it out. I had all these unrealistic ideas
that I was going to change this music and
make it as big as country music.
My goals changed a long time ago. I know in my heart of hearts that as
long as I'm doing it, the blues will always be around.
I don't know what it's going to take. Everybody is always waiting for
the next guitar player savior to come and save the blues.
Q
- Do you find it strange, too, that you are likely to see more
Caucasians at a blues club than African-Americans?
Does that frustrate you at all?
No, it doesn't frustrate me. I love anybody who comes out and supports
me and supports the music.
I get frustrated with people who don't really care about the music. Like
every year, there's some artist in a
different genre that is not doing well in their genre, so they
decide they want to make a
blues record.
And then it gets nominated for a Grammy in the blues category, and
people who deserve to be in it don't get nominated. They don't get
recognized, because it's all about name
recognition.
But at this point in my life, I try not to let anybody frustrate me or
anything, because otherwise you will be
frustrated all the time.
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