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BIG HEAD TODD & THE MONSTERS
Black Beehive
Shout! Factory
By
Geoff Trubow
Now
in their 25th year of recording, Big Head Todd and the
Monsters have released their 11th studio album,
Black Beehive.
The music isn’t as steeped in traditional blues as their previous
release, Big Head Blues Club
(which is not surprising as it was a straight up tribute to Robert
Johnson), yet it still reflects the blues and Chicago in particular,
right down to the album’s cover art by local icon Tony Fitzpatrick.
The
band still consists of original members, Todd Park Mohr on vocals and
guitar, along with the strong and tight rhythm section of Rob Squires on
bass and Brian Nevin on drums.
Jeremy Lawton, who joined the band in 2004, handles the keyboard
duties and they are joined by frequent collaborator and
Recorded in Chicago at Butcher Boy Studios,
Black Beehive was produced by
Steve Jordan, who also contributes backup vocals, drums, percussion and
rhythm guitar. Jordan co-produced and played on both of Keith Richards’
solo albums and contributed his signature drums with Keith’s touring
band. He was also part of
the John Mayer Trio and has collaborated with the likes of Buddy Guy and
Eric Clapton.
Nevin kicks things off on “Hey Delila,” written about Memphis Minnie.
Minnie settled in Chicago in the early Thirties and recorded here
for several years. The band
achieves a dirty groove augmented by Squires’ bass and a whiplash organ
solo from
The
album’s title track is a soft, poignant electric piano driven tribute to
the tragically departed Amy Winehouse.
Mohr plays some delicate guitar as he laments her joining the
equally tragic “
Another tribute, much more in the blues vein, comes in the form of
“Hubert’s Dream”. The
shuffling number is a munificent call out to the late, great guitarist,
Hubert Sumlin. Sumlin was
one of the guests on the Big Head
Blues Club recording and concert tour not long before his death in
2011. Although Sumlin was
born in
“Hubert’s Dream” is followed appropriately by “I Get Smooth”.
The Monsters are in full blues mode both musically and lyrically
with some echoes of Muddy Waters’ version of “I’m Ready”.
They keep this feel brimming with “Travelin’ Light”.
Eddie Shaw appears again, now playing harp on this laid back,
somewhat country song with
Big
Head Todd and the Monsters have covered a considerable amount of musical
ground over their quarter century of recording.
Although they were never considered a blues band and really are
not one to be covered by that label, it is evident that much of their
roots are planted in that music.
With Big Head Blues Club
and now Black Beehive, the
band continues to journey towards home.
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