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The CASH BOX KINGS
Holler and Stomp
Blind Pig Records BPCD 5142
By Al Finley
Living in the home town of the Cash Box Kings, you would think that I
would have run across this Chicago band before now. However, their
new Blind Pig release
Holler and
Stomp
was my introduction to the band and it is a revelation.
Holler and
Stomp
is easily one of the best sounding recordings I have heard in ages.
Recorded and mixed by Alex Hall in Jimmy Sutton’s Hi-Style Studios, the
recording has all of the atmosphere and warmth of your favorite vintage
blues recordings without the scratches and hiss. Of course, a
beautiful recording only gets you so far. In this case, it’s only
the icing on the cake because the originals and covers found on
Holler and
Stomp
will keep you coming back to the recording time and time again.
Lead vocals are mostly shared between band founder Joe Nosek and Oscar
“43rd Street”
Wilson. Joe kicks it off in high style with the self-penned title
track and Oscar answers with his own tune (co-written with guitarist
Joel Paterson) “That’s My Gal”. It’s a one-two punch that should
have everyone under the spell of this recording. If not, the easy
charm of Jagger/Richards’ “Off the Hook” will do the trick. Other
highlights include Oscar’s crowing “Barnyard Pimp” and bassist Jimmy
Sutton’s cover of Ray Sharpe’s “Oh My Baby’s Gone”. By the time
Barrelhouse Chuck’s organ lifts Joe’s “Tribute to the Black Lone Ranger”
into the stratosphere; you realize that you have discovered a real find.
While the band is new to me, most of the members beyond the two lead
singers are in numerous other roots oriented projects around Chicago.
The ensemble also includes blues guitar great Billy Flynn (who played on
the soundtrack of the
Cadillac
Records
film along with countless blues CDs) and drummer Kenny “Beedy Eyes”
Smith, son of late great blues artist Willie “Big Eyes” Smith. All
are stellar musicians; Google any one of them and you’ll find impressive
resumes. But the real trick here is that producer, harp player and band
leader Joe Nosek, along with help from prime guitarist and co-producer
Joel Paterson, has crafted an album that sounds like a cohesive band
endeavor that effortlessly captures the sounds of bygone days without
getting stuck in a retro strait-jacket. I can’t wait to see if the
Cash Box Kings can pull off this magic live and I suggest everyone with
an interest in blues or roots music of any kind give this release a
listen. It is truly off the hook!
Al Finley hosts two shows on WNUR 89.3 FM: “Both Kinds” and “The Blues
Show”.
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