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CHRISTIAN COLLIN
Spirit Of The Blues
C-Train Records
By Greg Easterling
Spirit Of The Blues is both
the inspiration and the title of up-and-coming guitarist Christian
Collin’s new C-Train Records release. Recorded
at Joyride Studio here in Chicago, this is Collin’s second solo effort
and utilizes the talents of some of the area’s top blues players
including Billy Branch and Matthew Skoller on harp, Johnny Iguana on
keyboards, Pete Galanis (Howard and The White Boys) on slide guitar, Jen
Williams on backing vocals and a swinging Chi-Town horn section of
Rodney Brown, Bill McFarland
and Kenny Anderson.
Born and
bred in the ways of the Detroit Motor City music scene by a father who
was once an A&R man for Capitol Records and also Bob Seger’s
road manager, Collin now
calls the Windy City home. Along with his road tested trio of Alex Evans
on bass and Chris Morrow on drums, Collin’s new album of all original
material is sure to make an impression on his adopted home turf where he
has gigged recently at Harlem Avenue Lounge and Lincoln Tap Room.
Spirit Of The Blues
kicks off with “One and Only,” a
funky blues rocker with Colin delivering a catchy riff that fairly leaps
out of the speakers, a highly effective way of beginning the album.
“Players Game” follows, a lyrical dissection of the kind of bar
cruiser who’s hunting for “some tail on a Friday night.” The tone of the
song is not approval; it’s more of an observation.
Matthew Skoller weighs in on harp here in the first of four
appearances, providing an
authenticity that isn’t always possible,
but certainly within reach, for albums recorded in Chicago with
the wealth of local talent that is available.
While the
lyrics occasionally lapse into cliché, a trap that is hard to avoid,
there’s plenty of heartfelt lines that hit home especially on the next
few songs, starting with a “A Woman Like You,” a cautionary tale. “I
took you home to mama, she warned me about you/ A woman like you will
give a man the blues.” Johnny Iguana shines on some tasty honky tonk
piano here with Skoller soaring on harp and some blazing solo guitar
work from Collin. It
may come as no surprise that
Spirit Of The Blues gets more bluesy the deeper you wade into the
album. “Dance The Blues Away” is
an ode to dancing and good times that benefits from deft keyboard
touches by Iguana and vocal
highlights by Jen Williams while Collin plays another notable solo.
Collin delivers one of his most emotional vocals on the album next on
“Without You,” a soulful, sad portrait of lost love that still burns.
“Oh how I try to forget you/Oh how I try to get through.” It’s a ballad
that also evokes some of the more subdued but smoldering tracks by
blues-influenced bands like Thin Lizzy and Savoy Brown.
In the very personal title track, Collin name checks the sources
of his blues influences such as Chicago, Baton Rouge, Texas, Kansas City
and more, kind of a primer on the
blues, delivered slow and with feeling. “Highway Song” features some
nice interplay between Collin’s lead and Skoller’s harp. Collin’s slide
work is showcased on “Dead Man Walking” while Billy Branch appears at
last on “The River (Unplugged)” for an acoustic workout between Collin
and Branch. Horns are added on the album’s final track, the optimistic
“Forever Friends” for some of that retro Stax Record feeling.
Music has surrounded Collin his whole life. With a parent in the
industry, he heard music at home
growing up. Seeing Little
Feat with Lowell George in concert at an early age was a big influence
on Collin who picked up the guitar at age 13. He’s been playing the
Midwestern bar circuit for 15 years, some of those as the front man for
the band Molasses with whom he recorded two albums.
In 2012, his debut album,
American Art
was released.
Spirit of the Blues is Collin’s sophomore effort. Calling one’s new album, Spirit Of The Blues is a heavy thing for a young, up-and-comer blues performer not yet well known in Chicago. Here’s hoping Christian Collin will break through in a sometimes crowded field and help to keep that spirit alive, as well as the blues, for many decades to come.
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