![]() Your Complete Guide to the Chicago Blues Scene |
ABOUT THE GUIDE ●bands ●radio shows ●record labels ● EVENTS NEWS FEATURES REVIEWS ●Live Shows CONTACT
|
DAMON FOWLER
Sounds of Home
Blind Pig Records
By Rex Bartholomew
The American South is the source of countless talented guitar-slingers,
but not many get the chance to hit the big time.
But, through hard work, endless touring, and incredible talent,
Damon Fowler is all set to make the jump.
This Florida native has been working his solo act for years, and
is also a member of the Southern roots rock group, Southern Hospitality,
alongside JP Soars and Victor Wainwright.
Their work is highly-regarded (Southern Hospitality won a 2013
Blues Blast Music Award for Best New Artist Debut Release for their CD
Easy Livin’), and it shows
that Damon has the versatility to perform equally well as a solo artist
or with a group.
Sounds of Home
is Fowler’s third solo release on Blind Pig Records and he pulled out
all the stops to make sure it was a success.
His best decision was to bring Louisiana legend Tab Benoit
onboard as producer. This
album was recorded and mixed by Benoit at his own Whiskey Bayou Studios,
and he also contributed his songwriting skills and a bit of his
wonderful guitar prowess.
It contains 11 tracks, with seven originals that were penned by Damon
and his seasoned writing partner, Ed Wright, along with a little help
from Tab. The guitars and
vocals were handled by Fowler, with Chuck Riley on bass and James
McKnight on drums.
The first track up is “Thought I Had It All” and the listener gets a
strong dose of heavy Southern rock.
Damon Fowler delivers the vocals with a bit of a drawl and his
voice is strong so he does not need to strain to get his point across.
Up next is the title track, “Sounds of Home,” which is a slick
piece of blues rock, with a rhythm section that could have been lifted
straight out of a 1970s Robin Trower album.
It should be noted that the vocals on this track were shared by
perennial Mardi Grad favorite Big Chief Monk Boudreaux, which makes for
a neat addition to what was already a cool song.
Damon also includes a few country-inspired songs on this album.
“Old Fools, Bar Stools and Me” takes on the classic theme of
drinking away heartache, but uses a hard punch of heavily processed
guitars to get the message across.
“Where I Belong” is a catchy tune with fancy fingerpicking and
slide that does a good job of evoking images of home.
“Do It For The Love” is the standout track on
Sounds of Home, as this
ballad has sublime lyrics that are interwoven with wonderful interplay
between Fowler’s guitar and Benoit’s slide work.
The two covers are not the usual suspects, and they include an
unexpectedly faithful rendition of Elvis Costello’s “Alison” and a hard
hitting version of Johnny Winter’s “TV Mama.”
Fowler electrifies Winter’s 1977 song with well-placed lead and
slide guitar licks, which are more than fitting for the slew of double
entendres of the original version.
This track highlights his backline, which features Riley’s
chugging bass line and McKnight’s drums, which are heavy and perfectly
recorded and mixed.
The album ends up with “I Shall Not Be Moved,” a traditional spiritual,
which seems right at home amongst the Southern-fried rock and blues that
make up the rest of Sounds of
Home. It starts out
with Damon singing along with a fun fingerpicked riff, and then he is
joined by the bass and drums and some perfectly sweet vocal harmonies
courtesy of Tab Benoit. It
was clever to put this song at the end, as it is different enough from
the rest of the material that it provides a clearly defined finish.
Damon Fowler should be proud of the work he put into
Sounds of Home.
All eleven tracks are solid, and it is obvious that he has
mastered the art of blues and swamp rock performance and writing.
Check out this album for 50 minutes of top-shelf entertainment,
and be sure to hit his website at
www.damonfowler.com
for tour dates, as he will be making his way around the country this
winter and spring.
### |
|
|