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DONNA HERULA
The Moon Is Rising
DH Records
By Liz Mandeville
For lovers of traditional acoustic blues, Donna Herula’s new self-
produced CD, The Moon Is Rising,
is a must buy! Donna and her
musical partner, harpist John Jochem, were the Windy City Blues
Society’s choice for solo/duo act in the 2011 International Blues
Challenge. I caught up with Donna in Memphis where she and John told me
of their collaboration and Donna's passion for Robert Nighthawk’s music.
Her years of intensive study of
his work culminated in a performance at the Robert Nighthawk Centennial
Commemoration at the 2009 Chicago Blues Festival and in the recording of
this disc.
For people who were getting their blues on early Sunday mornings at
Chicago’s Maxwell Street Market in the 1960s,
The Moon Is Rising will
be a reminder of those halcyon days as all 12 tracks are “the songs of
Robert Nighthawk.” One of
Maxwell Street’s regulars in that decade, Nighthawk, a native of Helena,
Arkansas, brought the driving hill country blues, complete with its dark
humor and storytelling to Chicago’s most famous market. On
Moon, Herula pays loving
tribute to the Maxwell Street troubadour with new arrangements of some
of his classic tunes as well as some of his favorite covers.
All twelve tracks are played in the same open tuning that allows Herula
to work her slide and finger picking magic. She moves deftly between
chords, slide and melodic single note runs with precision and authority,
alternating between a National Steel Resonator, Triolian or Tricone
guitars. Rather than being monotonous, the tuning helps create an
ambiance that’s consistent throughout the album. These tunes are all
related; they all belong on this record together. It’s like sitting down
with a friend and her guitar on the back porch for a Sunday afternoon
hootenanny. Pass the jug.
The CD’s opening track, “Take It Easy Baby,” sets the tone with its
driving acoustic guitar and backbeat supplied by Donna stomping a
tambourine with her foot. The tune features a couple passes by John,
whose unaffected, country blues harp playing is featured on five of the
twelve tracks.
The title track, “The Moon Is Rising,” has an easier, more laid back
feel with swirling resonator, multi-tracked with Inna Morris Meinkov’s
haunting violin to give the feel of mist rising over the river.
“The Return Mail Blues” features an almost lyrical guitar line that
calls and responds to the vocal track, typical of most arrangements on
the disc. Donnas’ husband, Tony Nardiello, adds a layer of guitar to
this and four other tracks.
Donnas’ vocals are clear and youthful, impassive but serious. This is no
barrel-housing blues mama, but a simply stated guitarist accompanying
herself with a voice which is inflected the same whether she’s singing
about her lover in “Jackson Town Man” or how she’s going to “…take all
her troubles and throw them in the deep blue sea.” On “Cryin Won’t Help
You” Donna displays some of her most sophisticated vocal phrasing, but
my favorite song on the album is the closing track, “Every Day and
Night” in which the singer gives sage advice on life and love: “Never
dog a man when you know you’re doing wrong yourself,” ruefully recalling
how that misplayed act has fallout that means he’s with somebody else.
The Moon Is Rising
is a fine sophomore effort from a serious young blues lady with guitar
skills to rival any man! Look out world, Donna Herula is sliding on in.
To purchase the CD and to see Donna’s schedule, visit:
http://cdbaby.com/cd/donnaherula
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