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GUY KING
Livin’ It
IBF Records
By Linda Cain
Chicago blues club patrons know Guy King from his work with the late,
great Willie Kent, who reigned as one of the city’s most traditional
West Side Blues artists throughout his long career.
King played lead guitar with the famous bass player and went on
to become Kent’s bandleader up to his final days.
On his debut CD,
Livin’ It, one might
assume that Guy King would follow in Willie Kent’s musical path and lay
down some gritty Chicago-style blues.
Surprise! For his
first recording, King follows another path – that of big band blues
artists like T-Bone Walker, B.B. King and Gatemouth Brown. There’s even
a touch of Percy Mayfield, Ray Charles and Robben Ford.
Although Guy King (G.K.) is quite capable of gettin’ down with
some wailin’ Chicago blues as a live act, on CD he switches gears to
enter into jazzy blues territory, not unlike his fellow Chicago guitar
buddy Dave Specter. He’s a very
tasteful and skilled producer, arranger, guitarist, singer, songwriter
and bandleader who likes to lay back and be cool; he knows how to make
the music flow.
On
Livin’ It, Guy is the King
of Smooth.
But just to let you know he can cut loose, too, G.K. kicks off the CD
with a tribute to his late mentor. Willie Kent’s instrumental
“Countdown,” with its driving drums and mighty horn section powering the
interplay between guitar and keyboard, sounds very much like the kind of
intro you’d hear at a B.B. King show. The band is so tight that, in an
instant, it switches gears into the jazzy blues fusion number, “Think.”
“Go Out and Get It,” a self-penned G.K. tune, is in a similar groove
with catchy lyrics, memorable melody and upbeat rhythms. The song
reminds us to get off our behinds and just
do it.
As a bandleader, arranger and producer, G.K. knows just the right amount
of ingredients to blend into each musical recipe. The horn section can
go from Memphis soul to Texas swing, the female backup singers give us a
touch of the Rae-lettes, while the rhythm section simmers and grooves.
Of special note is keyboardist Ben Paterson who is at home on Chicago
blues and jazz stages. He and guitarist King play off each other,
weaving in and out of some lovely melodies.
The upbeat title track, “Livin’ It,” is a perfect example of the breezy,
jazzy Uptown blues style that suit him so well. King’s gentle,
mellifluous voice is best suited for this type of song, rather than the
solid blues tunes, which call for a gruffer singer.
King is a crooner, not a moaner. On his cover of T-Bone Walker’s
romantic ballad “I’m Still In Love With You,” his honeyed vocals and
sincere delivery are simply dreamy. It’s the kind of song that melts the
ladies’ hearts. “My Pretty
Baby,” an original in the T-Bone Walker style, has a “Stormy Monday”
tempo and showcases G.K.’s impressive string-bending talents.
G.K. takes us down South to his one of his former hometowns on “If You
Love Me Like You Say,” a delightful New Orleans style R&B tune by Little
Johnny Taylor (which the late Robert Ward covered so well). King employs
his fastest, gutsiest guitar licks on this horn- infused number, proving
he measures up to his Albert heroes: both
King and Collins.
On “Worried Life Blues,” G.K.’s guitar truly sings the blues. As a
singer, he could stand to stir some gravel into his honey-dripping voice
on true blues tunes like this. The
final number, “The Story” is a humorous tale with a surprise ending.
While the music sounds smooth throughout, King tackles some gritty
subjects in his lyrics. “Talk about pollution, talk about war…you read
about it in the paper. Some people are working two jobs, just to pay the
rent, some don’t have a cent. We need to come together,” he advises on
the title song. As a tunesmith, he is a top-notch writer with something
to say and a positive message to send out.
King is subtle in his musical approach and it may take a few spins of
Livin’ It to get into the Guy
groove. Once you do, you’ll be glad you did. He is a refreshing younger
talent who seems to be full of surprises.
For more info visit: www.guyking.net
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