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JIM LIBAN with the JOEL PATERSON TRIO
I Say What I Mean
Ventrella Records
14 tracks/48:57
By Mark Thompson
Jim Liban is a legend among harp players around the world. His band,
Short Stuff, played blues with a vengeance and undoubtedly turned on
many of their Midwest fans to the music during their fifteen year run.
After a stint as a Nashville songwriter didn’t pan out, Liban returned
to Milwaukee where he led a band under his own name. As time went on, he
grew tired of the grind that always left the brass ring just out of
reach. The retreat from music continued when life hit him with several
heavy blows.
But music has always had the power to heal. In Jim’s case, the process
started several years ago as he gradually started playing gigs again.
Soon the confidence and fire was back. At the 2013 International Blues
Challenge in Memphis, Liban was part of the Alex Wilson Band. Their
rousing performances earned them a spot in the finals and Liban was the
recipient of the Lee Oskar Best Harmonica Player award.
Around the same time, guitarist Joel Paterson played a Milwaukee gig
with the man who had helped him start his
career as a working musician.
In his in-depth liner notes, Paterson describes his surprise at
discovering that the magic was back in Liban’s playing and singing. That
was the genesis for this project. Paterson combed through hours of tapes
of Liban’s original material to make the final track selections. The duo
spent even more time on fine-tuning the songs, in some cases updating
the arrangements, before they headed for the recording studio.
One listen to this disc makes it clear that Liban is the consummate
musician. On tracks like “Stop On By”, the singer’s relaxed vocal glides
along with the swinging rhythm. He adopts a tougher approach on “Right
Hand Blues,” preaching the gospel to a mercurial woman; Liban’s son Matt
on drums helps deliver the message. The instrumental “Cottonweed” is a
delightful romp with Liban blowing some serious licks from all angles.
Beau Sample’s slapping beat on his upright bass drives “ Tell Me
Everything” as Liban’s playing shifts to a country blues mode.
“No More Alcohol” comes from a darker corner of life as Liban describes
the battle to break away from the chains of the demon
rum. He punctuates
his tale with some hearty blowing , employing a full, fat tone that
seems to be calling you out of the darkness. The slow rolling feel of
“Sad, Tired and Worried” manages to lighten the pain in Liban’s lyrics,
as Paterson’s taut guitar licks echo the singer’s down-hearted
exhortations. “Must’ve Been
Dreaming” is jaunty tune with a Memphis feel that features some James
Cotton-inspired harp.
The band storms through the title track with a barely-contained fury
spurred on by Paterson’s biting slide guitar.
Scott Ligon contributes some sparkling runs on the piano over the
steady beat from drummer Mark Haines who, like Paterson, is a member of
the Cash Box Kings. The drum chair is shared with Alex Hall, part of the
Modern Sounds with Paterson and Sample. Hall’s deft touch is featured on
“Quick Draw”, another instrumental that finds Paterson burning through a
brief slide solo before trading licks with Liban, who plays with a
graceful flow that can mask the depth of technical skill he utilizes
throughout the disc. The harp master electronically alters his tone on
“Cold Stuff” and displays amazing control of his breathing while holding
a note for what seems like an eternity.
“Thank You for the Dance” is Liban’s loving tribute to his late wife
with the singer calmly expressing his gratitude for the time they shared
together. The closing
number, “Selfish Man,” has a late-night feel as Liban declares in no
uncertain terms that he is willing to change his ways for a woman’s
love. The track slowly fades away behind the subtle interplay between
Liban and Paterson. It is a fitting finale to a project that offers an
in-depth survey of the career and artistry of Jim Liban. Blues fans
around the world owe Mr. Paterson a debt of gratitude for putting this
project together, making it clear that Mr. Liban is indeed one of the
living legends, his music as vital as when he started five decades ago.
I Say What I Mean
comes highly recommended!
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