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LIZ MANDEVILLE
The Stars Motel
Blue Kitty Music
11 tracks
By Steve Jones Liz
Mandeville has provided a “home away from home” for many an artist on
the road in Chicago. In
return for her hospitality, the red-headed bombshell was rewarded with
songs she co-wrote with guitar players
Scott Ellison, Dario Lombardo,
Rachelle Coba and
Minoru Maruyama in her
basement studio. Ellison
recorded three songs with Liz and his band on a trip to Chicago from
Tulsa when no hotels were available.
Turin, Italy, based guitar player Lombardo spent a month with Liz
on his trip to play the tribute to Phil Guy at Chicago Blues Fest and
three more songs got done, this time with Liz and a local band.
Rachelle Coba was in Champaign (not Carbondale as the liner notes
say) for the Blues Blast Music awards (for which she was a nominee) and
spent a few days before the show with Liz in Chicago and also did three
songs with Mandeville and local backers.
Liz and Rachelle had worked together previously in Clarksdale,
MS. To complete the CD, she
enlisted the help of Japanese guitarist Minoru Maruyama and three more
songs were produced (one was held in reserve for a future effort). The
album opens to “Too Hot For Love.”
It’s a song where she’s telling about the summer heat in old
Chi-Town; Liz sings it’s even too hot for makin’ love.
Scott Ellison’s guitar is sweet as Liz delivers a bouncy and fun
performance. “Blues is My
Boss” has the B-3 with Joan Gand
as a very prevalent element and the bass by
Matt Cartwright offering up
a distinctive beat. Dario
Lombardo is the guitar lead here, offering us a more sultry tone on his
axe to better match up to Liz’s vocals. He picks out some six-stringed
funkiness for us here. Liz
does some nice fills on guitar, too.
She sings to us about being subservient to the blues that took
her soul away. She says she
works for the blues every day; not a bad gig!
Rachelle Coba offers up some sweet guitar here along with the
horns playing also playing a big role on “Everybody Knew But Me.”
It offers up a NOLA Second Line sort of groove, featuring Liz on
washboard, that is a lot of fun.
“One Dance” gives us Minoru Maruyama (Billy Branch’s former
guitar player) in a beautiful ballad with Liz.
Darryl Wright lays out a deep groove on bass and Joan Gand on
organ help make this special.
This is a hugely soulful and beautiful cut.
Rachelle and Liz join up with
Heather Tackett Faludo on bass,
Andy Sutton on drums and
Gand on piano for a slow boogie woogie stroll called “Try Me.”
Liz belts out the lead vocals as Rachelle and Heather do the
responses to the calls and other backing vocal work.
Coba gives a nice solo here once again.
Minoru returns for “Truth,” adding
Dizzy Bolinski on harp.
This is some gritty Chicago blues delivered up here on this cut.
Doug Deming joins Liz and
Dario Lombardo on “Reefer and a Glass of Wine.”
Doug’s swinging and smooth lead guitar is cool and fitting in
this swing tune.
Charlie Kimble offers a
great sax solo, and then Doug comes in for his; nicely done!
The horn section (Kimble plus
Jeannie Tanner on trumpet,
Johnny Cotton on trombone)
add to the mix making this my favorite on the CD.
Liz
goes on her own with the next tune, “What Could Have Been,” a song she
co-wrote with Scott Ellison.
Matt Kohl and
Robbie Armstrong on the
backline and Joan Gand on B-3 make this slow blues into a memorable
recording. Lombardo and Liz
offer up “Bad Blues Habit” next, where the guitar and piano boogie
together sweetly while Liz gives us a husky vocal lead.
Liz can belt it out with the best of them and the guitar and harp
help lead the charge.
“River of Blood” is a swampy,
Mississippi Delta styled blues.
Liz begins her vocals with an echo-ey, far off effect and
maintains a way down in the levee
sound throughout. Coba is
on guitar here, also lending a spooky and ghostly sound to the mix.
Very coolly done!
Ellison is featured on the final track, “What Do Blues Men Like?,” a
great jump blues with Gand tinkling nicely on the piano.
Liz gives us another superb vocal as she skats and jumps through
the lyrics. I love
The Stars Motel CD.
Showcasing Liz and her fantastic vocals, along with the
exceptional songwriting she shared with the four great guitarists in
residence in her basement, the chemistry was obviously good as each song
holds up as an exceptional cut.
There are no clinkers here -- Liz and friends have done a bang-up
job! Her fans will love
this CD as will any fan of great Chicago blues! For info or to buy the CD:
Steve Jones is president of the
Crossroads Blues Society of Byron/Rockford, IL
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