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MORRY SOCHAT & THE SPECIAL 20S
Eatin’ Dirt
Galaxie Records
By Dawn O’Keefe Williams
Morry Sochat and the Special 20’s serve up a CD that has a unique feel
of retro hip combined with Chicago’s cultural blend of blues styles that
incorporates jazz swing, traditional blues and rockabilly.
Even the eye-catching design of the CD cover with Sochat
(pronounced Sockit , as in sock-it-to-me) wearing a retro-style suit
seems to hail from the ‘60s.
Special 20 is a type of Hohner harmonica, which explains the name
for a band led by a harp playing singer/songwriter. And what a band it
is!
Jimmy Sutton
(Mighty Blues Kings, The Four Charms) produced this CD and plays guitar
on the rockabilly style “Riot Up In Here”.
Morry’s choice for Sutton as a producer shows good taste and fine
decision making as each cut embellishes Morry’s original songs and
musical talent. Special
guests on the Eatin’ Dirt CD
include some of Chicago’s finest blues musicians:
John Kattke (Brother John)
on keys, Dave Herrero and
Billy Flynn on guitars and
Chris Neal on sax.
Not
to be missed, the band members on this CD are also stellar musicians as
well.
Marty Binder, a solid
drummer holds each song together along with bassist
Ted
Beranis.
Jim St. Marie is on
guitar as well as Shoji Naito
who also plays harmonica. Doug
Corcoran plays keys and trumpet.
Eatin’ Dirt,
which is largely comprised of original songs written by Morry, (except
for a few tracks) has a large sound filled with horns and loud, bossy
guitars. This CD is a fun,
get up and dance type of blues outing. The title track, “Eatin’ Dirt”
written by bassist Ted Beranis, starts with Shoji Naito’s rousing slide
guitar, brought in with
Marty Binder’s thundering drums to showcase the momentum. Morry’s
distinctive voice is perfect for this up tempo groove, as the horns and
keys are in the background holding the rhythm.
“She’s A Betty” (inspired by ‘50s pinup model Betty Page) features
Brother John Kattke and shows his prowess at playing the full keyboard
with dynamite rhythm and fills.
Morry’s catchy lyrics are lighthearted and fun.
Throughout the CD, Sochat’s harp has an authentic distorted sound. He
plays it cool and not overbearing, allowing room for other instruments
and vocal phrasing.
“Someone To Love” displays his harp style and fine arrangement skills.
He ends the shuffle by accenting the phrase “More! More! More!” Sochat’s
voice is unusual in that it has no vibrato, which gives him an appealing
edge that falls into the retro sound.
Then
the CD eases into a ‘40s Big Band style reminiscent of the Tommy Dorsey,
Glenn Miller era. As Morry
sings “Meet Me In Chicago” you can’t help but feel like he’s taking you
out on the town as he describes the city and its amenities.
Corcoran’s trumpet is outstanding as he plays in a “less is more”
classy style. Beranis’ bass
walks with a smooth jazz/blues sound.
Each
song is a delight -- from the slow blues of “Empty Pockets,” done in a
moody, rumba style, to “Apple of
My Eye,” a shuffle that displays Sochat’s clever lyrics that compare his
lady to various luscious, sweet fruits.
The food theme continues with “Fried Chicken & Waffles” as the
last cut. The mostly
instrumental number, which showcases each instrument, is a nice surprise
that has a Big Band jazz swing sound that is almost too hot to end a CD
with! A photo of the
afore-mentioned meal appears on the CD itself -- fried chicken atop a
waffle. No need to be “Eatin’ Dirt”, after all.
Even
though there are different styles of blues on this CD, the momentum and
the overall feel place a distinctive stamp on the disc that says: Morry
Sochat & The Special 20’s. Very
hip. Very cool.
And highly recommended.
To
purchase the CD, and to see the band’s schedule, visit:
http://www.special20s.com/
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