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Nick and the Ovorols
Live At Kingston Mines
Indie Release
By Nikki Auriemma
Kingston Mines MC Frank Pellegrino is calling Nick Peraino “one of the
best young, up and coming talents.”
It is important to mention not just how skillfully Nick plays his guitar
throughout the album, but also how he uses his equipment. By listening
to the tracks one may hear Nick’s true artistry and realize that he is
knowledgeable and aware of how to use his equipment correctly. This
could be because he is co-owner of Dr. Fretgood Inc. in Chicago, where
he repairs, designs and builds custom guitar amplifiers.
Nick and the Ovorols’ Live At
Kingston Mines opens with, “Cadillac
Assembly Line,” originally by Albert King. This is a hip-shakin’,
funky blues tune that makes for a fun first song to get the crowd
moving. Nicks plays the song somewhat differently then Albert King by
speeding up the tempo. He utilizes jazz chords and perfectly forms a
solo over them.
Nick doesn’t just have a blues background, he also studied jazz guitar
at DePaul University when he moved to Chicago in 1998. A strong passion
for blues music was a deciding factor for Nick to attend college in
Chicago.
In “Chitown Via Greyhound”, his original song, Nick shows a different
skill by using slide guitar. At
first Nick’s guitar may bring to mind Muddy Waters’ “Rollin and Tumblin’
”; as the song picks up steam, Nick enters into ZZ Top territory with
his grungy tone and progressively heavy ending. Again he shows how to
work the neck during his riffs, as if he is “one” with the guitar. The
listener may escape reality during Nick’s shredding and imagine becoming
part of the crowd at this live show!
The next jam is a two part track. In “Dust My Broom” Nick uses a
standard blues shuffle just like Robert Johnson and Elmore James
intended. It’s great to hear Nick’s take on Delta blues mainly because
of this song’s history and meaning. (A fun fact that the listener may
not know is that this tune has been filling dance floors for more than
60 years and has been adapted to piano, accordion, acoustic, and
electric guitar. The
meaning goes as far back as the 1800s. Such implications are: to leave
in a hurry, leaving for good, or to clean out and start over.)
“Dust My Broom” flows into Part 2 of the medley, “Heed The Words I Say,”
another Peraino original -- a slower jam on which Nick uses wah effects
throughout his lead. He makes sure to stop on the one-chord so everyone
is really listening to the words he is saying, which shows how Nick
likes to work the crowd. The other guitarist in the band, Carlos Showers
flows throughout the tune by utilizing his wah pedal as well. This is
the only song Carlos solos in, and he makes sure it is memorable.
“It’s Ecstasy When You Lay Next To Me” steers away from the blues as it
is a Barry White cover. Nick demonstrates his jazzy rhythm again and
shows a different tone in his singing -- perhaps in an effort to
resemble White’s distinctive bass voice. During this song the listener
may drift off into a different time and place -- the disco-era. There is
a second part to this track, “Dreams”, originally by Greg Allman. Nick
creates a very soothing atmosphere for the crowd by not only playing his
guitar, but playing through his custom amplifier. The tone that flows
out of the amp is so crisp it can’t help but be heard. Allman Brothers
fans will appreciate this groovin’ extended jam.
The song “People Get Ready” was originally written by Curtis Mayfield
for the Impressions. “People get ready, there’s a train a comin’/ you
don’t need no baggage, you just get on board/ all you need is faith to
hear the diesels hummin’/ you don’t need no ticket you just thank the
Lord.” The listener may sit and analyze this song more in depth than the
other tunes. Maybe that is why it has been covered by artists like The
Rolling Stones, Bob Marley, Rod Stewart with Jeff Beck, and Aretha
Franklin to name a few. Nick seems to be moved just as much as these
other artists and does a fine job putting his own twist on the song.
Nick shows vulnerability throughout this track by not only singing the
heartfelt lyrics, but by displaying pure emotion through his guitar. He
is a bold musician who takes risks.
T-Bone Walker’s “Tbone Boogie” is given a contemporary funky treatment
by Nick and the band. The
listener may not be compelled to analyze this tune like the last, but
instead will just have fun listening and dancing to it. The live track
sends off the vibe that Nick feels the same in his playing by saying,
“There ain't nothing in the world that a Tbone Boogie won’t cure!”
Sam Cooke’s soulful “Somebody Have Mercy” is a standard shuffle ending
with a classic turnaround. The lyrics paint the blues: “Oh somebody have
mercy, tell me what is wrong with me?/ I don’t know how I stand the
things this woman do to me/ when I think about how she treats me/ tears
fall down like rain.” Nick shows off his skills by covering some of the
great Otis Rush’s riffs throughout the tune. This entire song
demonstrates Nick’s true passion and why he plays the blues.
“Me and My Guitar” is the end to
Live At Kingston Mines. Nick sends off the crowd with some memorable
Freddie King licks. This song reiterates how Nick loves to sing through
his guitar and possesses a true skill. Just like he says in the lyrics,
“I’m playing the blues for ya momma, no matter where you are.”
After listening to the album, which clocks in at 1 hour and 2 minutes of
live excitement, one might be impressed with Nick’s versatility and how
he plays many styles, like gospel, soul, funk, and the Delta blues. Also
a listener may hear not only how he stays true to the blues and its
roots, but how he expresses it, as inspired by his biggest influences.
Nick says, “Ovorols is a trademarked spelling of overalls. I love
overalls, and two of my biggest idols have worn them: Lowell George of
Little Feat and Buddy Guy.” The fact that his debut disc was recorded
live makes it much more personal because one can really get to know
Nick’s charming persona on stage. This reviewer agrees with Frank
Pellegrino and thinks Nick holds a very successful and bright future.
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