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THE RHYTHM ROCKETS
She Swings Blue – Volume 2: After Hours
Brother Raccoon Records
12 tracks/42:50
By Mark Thompson
After the success of their first recording,
She Swings Blue – The Joint Is
Jumpin’, the Rhythm Rockets are back, ready to give listeners a
glimpse at another facet of the band’s sound. Where the previous title
featured barn-burners from the group’s repertoire, the new release
focuses on a slower pace with plenty of tracks that will put you in a
late-night, laidback mood. If you think that a disc full of easy-going
ballads would suffer from a lack of excitement, be assured that the
Rhythm Rockets manage to generate plenty of heat at the more deliberate
tempos.
One of the band’s strengths is the veteran horn section anchored by Mike
Bielecki on tenor sax on all tracks.
Sam Burckhardt (Sunnyland Slim’s band) on tenor and Justin
Keirans on baritone sax appear on half of the cuts. The rhythm section -
drummer Mark Fornek and either Michael Quiroz or Lou Marini on upright
bass - consistently settles into a tight, swinging pocket that maintains
a propulsive drive even at the more languid tempos. One would be
hard-pressed to pick a favorite between Tony Kidonakis or Brian O’Hern’s
contributions on piano. Another constant is Dave Downer’s melodic
six-string phrasing, whether he is comping chords or doing some single
note soloing.
Nicole Kestler is the featured singer throughout the disc. She has a
lighter tone that is a good fit for most of the material. When she wraps
her voice around an obscure tune like “My Baby Left Me,” she makes it
sound like a classic from the vault. “I’ll Take a Holiday From Love” was
composed by Downer’s grandmother back in the day. Kestler gives it a
breezy reading while the band executes arranger Jon Novi’s chart with
finesse. Even better is her measured performance on “Let’s Rock A While”
as she steadily builds the emotions in her delivery with the band
rolling along behind her.
Other highlights include a rendition of Hoagy Carmichael’s “Bread &
Gravy” featuring a superbly executed Kestler vocal and some smoky sax
from Bielicki. “Send For Me” was a hit for Nat King Cole in 1957.
The Rhythm Rockets version shifts to an unhurried tempo bolstered
by accents from the horn section. Dinah Washington’s hit, “Mean & Evil
Blues,” glides along with the horns again playing with distinction. The
band handles the darker hue of Washington’s original, “Duck Before You
Drown,” with aplomb, giving Kidonakis room to stretch out.
Ed Enright’s baritone sax is featured in the arrangement of “Put
Your Arms Around Me Honey” while the band band’s most energetic
performance occurs on a spirited “40 Cups of Coffee”. Kestler’s
seductive tone is a perfect fit for “You Was Right, Baby” and O’Hern
spins out some nimble phrases during his piano solo.
The proceedings falter a bit on the classic “Trouble in Mind” as
Kestler’s phrasing stretches things out a bit too far. Downer makes a
notable statement with some cutting fretwork, followed by Bielicki’s
robust tenor solo. The disc closes with the instrumental “Blues in
Orbit”, originally performed by Duke Ellington and his orchestra. It
highlights Novi’s skill as an arranger with his chart making the Rockets
sound like a full-fledged big band. And they have no trouble negotiating
the intricate chord changes of the Billy Strayhorn composition.
While this project concentrates on a mellower vibe, there are enough
variations in tempo to hold your attention.
The Rhythm Rockets don’t just
offer tepid recreations of music from bygone eras. In their capable
hands, the horn-driven dance band tradition lives on in the Chicago
area. Once again, this
accomplished ensemble offers a recording that is well-worth a listen!
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