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Sam
Burckhardt
Fly
Over
Airways Records
11
tracks/43:23
By Mark Thompson
A native of Switzerland, saxophonist Sam Burckhardt has lived in Chicago since
1982. He made the move to join Sunnyland Slim’s band. Burckhardt had sat in with
Slim on several shows during the piano player’s European tours, appearing on
Sunnyland’s Live In Europe recording,
which was the first release on Burckhardt’s Airways label. The following decade
he added his sax to the Mighty Blue Kings, a formidable Chicago aggregation that
was at the forefront in the burgeoning swing revival. Other credits include a
hand in the formation of The Big Swing, a small big band with a repertoire full
of jump and swing classics.
For his latest release, Burckhardt enlisted the help of guitar wizard Joel
Paterson and the rhythm section of Paterson’s band, the Modern Sounds, featuring
Beau Sample on upright bass and Alex Hall on the drums. Paterson co-produced the
project while Hall had a hand in all aspects of the recording, engineering as
well as mixing and mastering. Burckhardt’s old friend, Pete Benson, contributes
on organ and piano.
The program is comprised of three originals written by the saxophonist and
Paterson, starting with the opener. “Bird Watching” sets the pace with sax and
guitar both playing the melody line with crisp accents from Benson on the
Hammond organ. Then Burckhardt takes off, turning the melody around while adding
a few low, honking tones. Soon Paterson and Benson join in, the three musicians
trading the lead back and forth on a joyful excursion that gives more than a
hint of what is to follow. “Early Bird Blues” is another original with Benson
switching to piano and Paterson offering a brief taste of his fluid picking
before Burckhardt digs into the tune, gliding into the horn’s upper register,
blowing up a storm before settling down for a calm finish. The title track is
the third new song, a swinging number that showcases the Sample-Hall
combination, driving a fleet-finger Paterson guitar ride leading into Benson
making full use of the Hammond’s pedals, leaving it to Burckhardt to wrap things
up with some brawny tenor sax.
Leroy Carr’s classic, “In The Evening,” has Burckhardt laying down a laidback
vocal accompanied by Paterson. When the band kicks in, Hall sets the pace using
brushes for a subtle groove. Paterson dazzles with another concise solo before
Burckhardt enters with a moving solo segment. Benson’s Hammond organ dominates
the arrangement for “Route 66,” and Burckhardt delivers a more energetic vocal
on the timeless classic. The jaunty “Spring Swing” comes complete with a series
of memorable solos, and Burckhardt’s is the best of the bunch. Another highlight
is the romping rendition of Tiny Grimes’ “Rock The House,” as the band
establishes a propulsive groove for another Paterson guitar foray. “Doggin’ With
Doggett” is another jump blues classic with Burckhardt, Benson on piano, and
Paterson turning in mesmerizing instrumental passages.
Given Burckhardt’s love of jazz, it is not surprising to find several cuts from
two legendary big band leaders. The group creates a late-night feel on Count
Basie’s “Blue & Sentimental” with the leader’s sax crying the blues through the
dark, smoky atmosphere. Duke Ellington’s “Just Squeeze Me” floats along until
Benson goes to work on the piano, spinning off a marvelous improvisation that is
answered by the mellow, airy tone of the leader’s sax. Another Ellington tune
closes the disc. The ballad “Solitude” gets a touch of Caribbean rhythm with
Benson on organ filling in the arrangement, leaving plenty of room for perhaps
Burckhardt’s finest solo, a joyous romp that will smiling as you sway along.
What else is there to say – it’s a disc full of noteworthy material expertly
rendered by world-class musicians. Burckhardt has a musical vision where blues
and jazz exist in the same realm rather than two distinct entities. With the
help of Paterson and crew, that vision unfolds throughout every moment of this
remarkable effort. This one comes highly recommended!
For info or to buy the CD: |
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