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HOLLE THEE
MAXWELL & THE ORIGINAL CHICAGO BLUES ALL-STARS
September, 2016
Motor Row
Brewing, Chicago
By Robin
Zimmerman
From the
once-dominant auto dealerships to those palatial Prairie Avenue homes,
the area around Michigan Avenue and Cermak Road is historically
significant for several reasons.
This side of
town is also rich in musical history with Chess Studio being just a
stone’s throw away. Here at 2120 S. Michigan Avenue, Chicago blues came
into being with Muddy Waters, Willie Dixon, Howlin’ Wolf, Little Walter
and others creating the signature sound that would put Chi-Town on the
musical map.
Now, folks have
another reason to make the trek down to this South Loop musical mecca as
the recently opened Motor Row Brewing features live blues in their third
floor taproom. What’s more, the current Thursday night lineup is
legendary in its own right.
Motor Row has
booked Holle Thee Maxwell
and the Original Chicago Blues All-Stars to perform every Thursday
through October. True to its name, this band is basically a “who’s who”
of the blues. There’s Willie’s Dixon’s son,
Freddie, on bass with
drummer Dr. Jimmy Tillman
keeping the beat behind him. Keyboard player
Ronnie Hicks, guitarist
John Watkins and
Hank Ford on sax round out
this band of musical veterans. Motor Row also features the band, minus
Holle, on Monday nights. Google any one of them and you will find some
impressive musical resumes!
Like a good
blues song, this band starts out somewhat slowly and builds to a
crescendo. Don’t hold these guys to the 7 p.m. start time and it’s all
good. For a $10 cover,
attendees get a free drink ticket and a dynamic show from beginning to
end.
It’s a congenial
atmosphere at Motor Row, too. On a recent Thursday night, two ladies
were celebrating a birthday and offering Jewel chicken and Beggar’s
pizza to other patrons. Blues singer Deitra Farr stopped in before
jetting off to do a show in Romania. Renowned blues bass player Bob
Stroger, who continues to cut a fine figure at 85 years of age, later
joined her at the table.
As the room
continued to fill up, the Original Chicago Blues All-Stars kicked off
their set with a spirited rendition of the old standard, “I Ain’t
Superstitious.” Freddie Dixon said a few words and noted that the band
was embarking on their 40th Anniversary tour. He then had
Tillman take center stage.
The “Doctor of
Love” talked of sharing his talents to keep the blues alive for future
generations. He discussed his outreach efforts at correctional centers
and then sang a heart wrenching number called “Nobody Cares About Me.”
This tune was written by a 13-year boy serving a life sentence.
After noting
that the blues is about “good times and bad,” the mood lifted
considerably on the next number. That’s when Tillman launched into a
tale about some mischief that he and Freddie got into down in Memphis.
This led to a light-hearted little ditty about falling for another man’s
woman.
All this led up
to the grand entrance of the lady of the hour: Ms. Holle Thee Maxwell.
Clad in a flashy red ensemble, and a massive blonde wig, it was
extremely obvious that this entertainer is no shrinking violet. And,
with a career that spans seven decades, she certainly knows how to work
a room.
Following her
dramatic entrance, “Thee Original Black Blonde Bombshell” sat down at
the keyboard for a chill-inducing rendition or Otis Redding’s “I’ve Been
Loving You Too Long.” Maxwell started her career singing opera at the
tender age of 5 and this was demonstrated by the wide range of notes she
hit.
During both
sets, Maxwell covered a broad range of musical styles and emotions,
Right after the Otis Redding number, she showed her sultrier side with
“Meet Me With Your Black Drawers On.” Maxwell found her perfect foil
with audience member, Michael Murphy, who good-naturedly took part in
the bawdy banter.
Maxwell said,
“When I perform, I have to see and watch audience reactions, and my
so-called victims must be fun-loving, enjoying my show and acceptable to
be in my spotlight…. and Michael was perfectly qualified.”
After mingling
with the crowd during the break, Maxwell returned for a second set that
included an homage to the music of Ike and Tina Turner. Maxwell famously
toured with Ike Turner after his split from Tina. She said he treated
her with respect and it was a positive experience.
Her versions of
both “I Can’t Stand the Rain” and “Proud Mary” showed Turner’s
influence. She said, “At rehearsals, I become Ike Turner in a dress.”
This “musical perfectionist” insists on correct timing and precision.
She added that, “my back-up musicians must be energetic, have charisma
and enjoy themselves.”
She certainly
seems to be in sync with the Original Chicago Blues All-Stars as are
they are embarking on a tour of Denmark starting on November 2nd
— immediately after their run at Motor Row is done.
Maxwell credited
publicist Lynn Orman Weiss with choreographing both the collaboration
with the Original Chicago Blues All-Stars as well as the upcoming
Denmark tour.
Shifting back to
the group’s Thursday night residence, the taproom at Motor Row is
perfect for a performance of this nature. It has subdued lighting,
sensational sight lines and a variety of craft brews for every taste.
With summer
sadly winding down, one can still gear up for cool brews, live music and
a convivial vibe. With this Thursday night lineup, Motor Row offers a
vehicle for blues lovers loaded with all the entertainment options.
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