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Dave Specter’s Adventures in
Guitar with Jimmy
Johnson
S.P.A.C.E.
Evanston, IL
March 31, 2010
Kindred spirits of the Blues
by Dawn O’Keefe Williams
The
3rd series of Dave
Specter’s Adventures in Guitar, featuring veteran blues recording
artist Jimmy Johnson (Alligator, Ruf, Verve, Delmark),
was a pleasant adventure in
itself, as one boldly ventured to the North Shore suburb in search of
the near-clandestine music room. The venue S.P.A.C.E. (Society for the
Preservation of Arts, and Culture in Evanston) is almost hidden inside a
rather nondescript building with huge glass windows at 1245 Chicago
Avenue. The entrance is shared by an upscale bar/restaurant, Union
Pizza; a long narrow hallway takes you to a back room. Behind two large
wooden doors is the intimate, yet spacious nightclub.
The
first thing you notice upon entering this room is the open feeling and
the vibe. Its hip design of
exposed brick with softly lit pleated lights in the vaulted ceiling
gives the space a calm, warm ambiance. The club was well-designed by one
of the partners who does rehab and has an eye for interiors.
All throughout the room there
are panels strategically placed to absorb and diffuse sound.
Installed above the stage is a “cloud” sound absorption.
The decorative curtains also serve as sound baffles as well and
warm up the room. Combine this with the soundman, legendary Jim Reeves
(engineer for Columbia Records, Epic, United Artists and The Record
Plant Recording Studio), and it is a music lover’s utopia and a
performer’s dream. “It’s a wonderful place!” Jimmy Johnson later
exclaimed after the show.
“People don’t come here to drink, they come to hear music!”
The club does have a fully-stocked bar, however. No food is
served, but patrons are allowed to bring in pizzas from next door.
Guitarist Dave Specter, a recording artist with Delmark and Fret 12, is
also one of the owners of S.P.A.C.E.
He casually stepped on stage with the band: Mike Schlick on
drums, Harlan Terson on bass and Ben Paterson on keys.
Dave’s stage presence is always
cool and calm, yet he silently draws you in as his quiet stance allows
you to focus on his performance, which is strictly instrumental; he
doesn’t sing. As he plays
his Gibson ES137, Dave’s face becomes gently hypnotic, his music flowing
with precision. The guitarist
starts the evening with an uptempo song, “Holiday Park Shuffle,” from
his 2008 Delmark CD,
Live In Chicago.
Dave’s well-honed dynamics in his solos are complemented by the
rhythm of the organ and Harlan’s solid walk on the bass which gives a
slight jazz feel to the number.
The
following three songs that Dave debuted were from his new CD that will
be released in May or June titled
Spectified on the Fret 12 Label.
“Stick To The Hip,” a funky R&B song, found Dave’s rhythmic
guitar trading solos with Paterson’s keys; at one point they joined
together to create an impressive horn section sound, as the crowd
applauded its approval.
This
led to “Blues Call” a sexy Latin influenced song.
Dave announced that blues
guitarist Rockin’ Johnny was in the house and stated, “This song is for
you” as he launched into “Lumpus Du Rumpus,” a rousing uptempo number
that pulled the audience in as they clapped to the time.
At this point Dave Specter had
the audience wrapped up in every move he made.
The song was building with almost a rock and roll groove. Dave
pulled a slide seemingly out of nowhere and coaxed a searing melody out
of his strings. The crowd
cheered with delight at that surprise as the drums were right there
alongside Dave, accenting the beat.
Dave then clipped the slide to his guitar strap with ease and
flew right into a solo without missing a beat. Dave then introduced
“Alley Walk,” a song with a smoldering gritty feel, and included a
creative melodic twist in his solo, which ranged from single notes to
octaves and double stops. The ease and finesse displayed by this veteran
guitarist, along with how he handled different styles of playing, made
listening and watching him such a pleasure.
Dave
brought up his special guest, bluesman Jimmy Johnson, also known as “The
Bar Room Preacher”. Jimmy
announced that he was celebrating his 50th year in showbiz
and started out the set with a Junior Wells song, “Little By Little”.
Within the first verse, the
crowd roared. Jimmy’s voice
is smooth and youthful sounding, as is his general presence; you’d never
guess that he is 81 years old! His body swayed in time and his feet
danced lightly as he played his Paul Reed Smith guitar.
It was obvious that both Dave and Jimmy have worked together for
a long time. They
complemented each other -- Jimmy’s smooth style was countered by Dave’s
full and rousing solo. When
Jimmy sang or played, then Dave laid back and played rhythm.
“You
Don’t Know What Love Is” by Fenton Robinson was Jimmy’s next choice.
His voice sounded soulful with vocal inflections that wrapped
around you while he played a simple, yet powerful, style on his guitar.
Always the gentleman, Jimmy pointed to the keyboards to
acknowledge Ben Paterson, who countered the slow blues with a rhythmic
solo.
“It
Feels So Bad” by Little Milton had Jimmy giving up a little growl to his
normally smooth, silky voice.
Dave played behind Jimmy giving tasteful rhythms that displayed
great musicianship and teamwork.
Neither Dave nor Jimmy had pedals.
All of their solos were pure skill.
“It’s a great amp.” Jimmy said referring to the Fender Vibrolux
that S.P.A.C.E. provided.
“When I have a great amp I don’t need a pedal.”
Dave later stated that he likes
pedals when they are used tastefully.
He prefers to use a power boost pedal and one that creates a
Hammond organ sound.
Throughout the show, Jimmy and Dave showed their creativity and
flexibility as they performed a variety of blues styles.
At times Dave blended a jazz influence with his blues.
He’d play a searing solo and then would pull back from leading
the band to deliver tasteful, soulful rhythms to accompany Jimmy’s
performance. These
veteran musicians, along with the well-seasoned band members, perform
almost with telepathy. However, if you watch closely you will see a
subtle nod, eye contact, or a move of the guitar.
With one little motion, the rhythm section will know when to
break down for a solo or vocal, or go to a turn around.
During the show Jimmy was friendly and joked with the crowd, as he urged
them to “…laugh and applaud because that makes my boss happy and then I
won’t have to come to your house and borrow no money!”
The audience laughed and applauded his humor.
For the funky Lonnie Brooks
tune, “Two Headed Man,” Jimmy swayed and danced again.
The agile octogenarian led the band in old school blues fashion
as he shouted the chord changes in one part of the song.
Dave played the accents behind Jimmy and the drums nailed the
turn-around with a strong hit on the snare.
The band broke down, keeping the rhythm going and Jimmy
laughingly introduced Dave as his competition; Dave stated that Jimmy
was his teacher. You could
feel the respect and camaraderie between them.
After each band member was acknowledged and given a few bars to
demonstrate their chops, Jimmy silently thanked The Lord with a motion
of his hand and walked off the stage.
Of
course there was an encore. It was the best part of the evening.
Jimmy came back to the stage and sang “Easy Money,” a rockin’,
funky blues song that he wrote.
The crowd applauded and shouted, pleased to hear Jimmy, Dave and
the band end the evening with such a spirited song.
Dave
Specter has been performing for 25 years and he humbly stated that he
feels lucky to have played with the elder statesmen of the blues, such
as Jimmy who was kind enough to invite him over for a few lessons when
Dave was new on the scene.
They have forged a friendship and are kindred spirits in the blues.
Some
upcoming events to look forward to: Dave and Jimmy will perform at the
New Orleans Jazz & Heritage Fest the first weekend in May and they will
also play at the Lucerne Fest in Switzerland in November. Dave’s new CD
Spectified should be out in
May or June.
The
4th show in the series of
Dave Specter’s Adventures in
Guitar will feature guitarist Steve Freund on Wednesday June 9, just
before the Chicago Blues Fest kicks off on June 11.
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