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WANDA JACKSON
May 17, 2017
City Winery, Chicago
by
Linda Cain
At age 79, Wanda Jackson remains an inspiration, not only as a live
performer but as a recording artist whose musical legacy – that dates
back 62 years to the 1950s -- continues to be discovered by younger
generations. She was a trailblazing pioneer during the birth of rock ‘n’
roll music. In a male-dominated field, teenaged Wanda stood
shoulder-to-shoulder with the bad boys, eclipsing them all with her
fiery personae and hell-raising vocals.
The Queen of Rockabilly can count among her fans Elvis Presley on up to
Jack White and Adele. Throughout her 73-minute show, she told
fascinating stories about all of them in great detail. Her set list
heartily covered the genre she helped define: rockabilly. But it also
included several of her country music hits along with a gospel song.
Wanda’s backup band, The Ladybirds from Kentucky, were impressively
adept at delivering the goods
for all three styles, not to mention keeping up with whatever antics the
boss lady threw at them.
The rockin’ five-piece ensemble – keyboard, two electric guitars, bass
and drums – opened the show with a sinuous version of the Link Wray
instrumental “Rumble,” that got the retro music fans in the crowd pumped
up. Without further ado, the drummer played the snare drum intro to
“Riot in Cell Block #9” as Ms. Jackson made her entrance, decked out in
shocking pink fringe and rhinestones. Seated on a stool at center stage,
Wanda screamed, growled and purred the lyrics to the rock’n’roll
prisoner tale.
The Rock And Roll Hall of Famer segued right into another rockabilly
classic, “Rock Your Baby (All Night Long)” that had us boppin’.
After this, Ms. Jackson
explained that she was recovering from knee surgery and thus had to
perform while seated. Her City Winery show was originally scheduled for
April 1st, but was postponed until now.
The singer then introduced her next song as “the very first rock ’n’
roll song I ever recorded.”
Prior to this, Wanda was strictly a teenaged country performer with a
golden voice. The song, “I Gotta Know,” she explained, was written
specifically for her. The Ladybirds proved their chops on this quirky
number which shifted styles and tempos between country music and rock
‘n’ roll throughout.
Wanda introduced the next song, her hit “Funnel of Love,” with a story
about British multi-Grammy and Oscar winning singer/songwriter Adele. It
seems Adele first heard the song while riding on a bus in her youth. She
asked the driver, “Who is that?” and became an instant Wanda Jackson
fan. “She said it inspired her to write ‘Rolling In The Deep’,” Wanda
related. Adele also invited Wanda on tour as the opening act for 10
shows, which no doubt won the rockabilly legend new fans of an even
younger generation.
The versatile Ms. Jackson switched gears to chat about her country music
career and sang two of her past hits: one a tell-off song about a little
lady who teaches a lesson to a big man while wielding a big iron
skillet. The second country song featured a bouncy polka beat that got
us clapping along as Wanda took us by surprise with some first class
yodeling!
Then it was time for the story we were all waiting to hear: the first
time she met Elvis Presley!
At age 17, Wanda was an up-and-coming country artist from Oklahoma. “The
first person I toured with was Elvis.” They first met at a radio station
and Wanda wasn’t aware of him or his music. But he made a big first
impression. “He wasn’t like any of the Oklahoma boys. He had long
sideburns, wore a yellow sport coat and drove a pink Cadillac! I
thought: Oh, boy, what am I getting myself into?”
Even with her father on tour as Wanda’s manager, she and Elvis managed
to have a brief romance, mixed with music business. “I credit Elvis for
my success, he encouraged me to sing like he did, to sing rock ‘n’ roll,
for a teenaged audience because they bought lots of records.”
Wanda then dedicated the next song to Elvis and to all of her fellow
rockabilly buddies from the 1950s -- all of them men -- as she was
the first female rock ‘n’
roll artist. She was rightfully inducted into the Rock and Roll Hall of
Fame in 2009.
Wanda sang “Heartbreak Hotel” in her own emotive style -- not an
imitation of Elvis -- her plaintive voice alternating between whispers
and shouts, with plenty of pathos for good measure.
Wanda then related how another rock star has influenced her:
Jack White. He called her in
2009 to see if she’d record an album that he would produce and play on.
“He was a slave driver… But we really had a great time,” she said about
the sessions that yielded the acclaimed
The Party Ain’t Over album on
White’s Third Man Records label.
The Ladybirds kicked off the thumpin’ intro to “Shakin’ All Over” as
Wanda belted it out and shook her pink fringed shoulders; she even
“shook her voice” by spinning a quavering vibrato on her vocals. She
slapped her thigh and snapped her fingers as the band simply smoked and
the house rocked. Jack White would have loved it.
“Jack and I only butted heads on
this next song. I thought it was too sexually explicit for me and not
age appropriate. I didn’t think my fans would like it,” she explained.
However, White prevailed. The song was Amy Winehouse’s “I’m No Good” and
Wanda commenced to sing it for us, dramatically expressing the story of
love and betrayal; her vocals ranged from coquettish to snarling. (She
did, however, alter a verse in which Winehouse sang about her “buzzer”
going off). The Ladybirds rocked out for the big finish and the house
cheered and stomped for Wanda.
Wanda took us back to 1959 for her first Number One rock ‘n’ roll hit
single. Her ultimate bad girl song, “Fujiyama Mama,” topped the
charts…in Japan! As the band started playing, Wanda attempted to open a
water bottle without success so she handed it to a fan in the front row
who helped. After taking a swig, the singer walked across the stage,
splashing water on several patrons in the front seats. Yes, Ms. Jackson
is still a Fujiyama Mama!
She settled down for “Right or Wrong” a country ballad featuring some
nice Floyd Kramer style 88s by her keyboardist. Next, Wanda sang about
salvation and got the crowd clapping along for the gospel standard “I
Saw The Light.”
She honored a fan’s request and sang her hit “Let’s Have A Party,” on
which she got us all to sing “Whoooh” on the chorus as she flapped her
pink fringed arms and we got our party on.
As the song ended, the band vamped and Wanda stood, waved and thanked
the crowd as we rose to our feet for an ovation. Wanda faked us out and
didn’t leave the stage just then. “Ain’t no sittin’!” she commanded us.
So we remained standing for the rockin’ finale: a medley of “Whole Lotta
Shakin’” by Jerry Lee Lewis and Elvis’ “Rip It Up.” She belted it out
and swayed along to the beat until her gray-haired hubby appeared to
escort her off stage, arm-in-arm. A good time was had by all, especially
by Ms. Jackson. The title “legend” is often overused. On this warm, windy night in Chicago, Wanda Jackson clearly demonstrated why she has a right to that title.
About the Author:
Linda Cain is the Managing
Editor/Founder of Chicago Blues Guide.
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