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Red Hot ‘n Blues
Reviews
June 2020
By Marty Gunther
Victor Wainwright and the Train –
Memphis Loud
(Ruf Records 1280)
Keyboard
master Victor Wainwright earned a 2019 Grammy nomination for his debut
Ruf release with his new, big band, and he steams out of the station in
high gear on this one, which was recorded in the Bluff City and
co-produced by multi-instrumentalist Dave Gross.
Victor’s
vocals ring like a bell in this set of blues, funk, New Orleans soul and
Americana as he and his cohorts deliver a wall of sound that hits like a
sledgehammer throughout. His regular lineup now includes former Roomful
of Blues horns Doug Woolverton and Mark Earley, and his guests include
Gross, Monster Mike Welch, harp player Mikey Junior, Reba Russell and
Gracie Curran, among others.
The Train
pulls slowly out of the station with “Mississippi,” but quickly shifts
into high gear. The horn-fueled “Walk the Walk” comes across with a Big
Easy beat before “Memphis Loud” urges you to climb on board. Other
must-listens include the slow-and-easy “Sing,” the thought-provoking
“America,” the upbeat “My Dog Riley” and the introspective song of loss,
“Reconcile.”
# # #
Jim Gustin & Truth Jones – Lessons
Learned
(Self-produced CD)
www.epresskitz.com/jimgustinandtruthjones
Based out
of Santa Clarita, Calif., vocalists Jim Gustin and Jeri Goldenhar, aka
Truth Jones, made it to the semi-finals of this year’s International
Blues Challenge, and show why they’re one of the rising groups in the
world with this excellent CD.
An
all-original collection of blues and horn-propelled R&B, it was
engineered by Southern California heavyweight Terry Wilson (Eric Burdon
and Teresa James) and features guest appearances from Tower of Power
trumpet player Lee Thornburg, Crooked Eye Tommy guitarist Tommy Marsh
and others.
Gustin
and Jones pair up for a duet on “I’ve Been Drinking” before mixing
single leads and duets on the rest of the thoroughly modern set. Top
cuts include the piano-driven jazz ballad “When This Ship Sails,” the
Latin flavored “Never Forget,” the acoustic “Never too Big for the
Blues” and soulful burner, “Rockslide.”
# # #
The Reverend Shawn Amos & the Brotherhood –
Blue Sky
(Put Together Music PTM-00008)
The son
of cookie magnate Wally Amos, singer, songwriter, harp player and blues
preacher Shawn Amos hits the high notes with this interesting mix of
swamp blues, funk and roots, the latest stop in an extensive musician
journey that’s included being a Grammy-winning producer and service time
as chief executive for Quincy Jones’ Listen Up Foundation, which builds
bridges between the hearing and hearing impaired.
Amos fell
in love with the blues while a film student at New York University and
spent his summers on the trail established by music journalist Peter
Guralnick in his Feel Like Going
Home book trilogy. The ninth release in his catalog, he’s backed
here by his new unit of old friends, which includes former members of
bands led by the Indigo Girls, Norah Jones and Macy Gray.
The music
builds intensity throughout, beginning with the percussive ballad
“Stranger Than Today.” Other highlights include the barn-burning
“Counting Down the Days,” the soulful “Albion Blues” and the rollicking
“Keep the Faith, Have Some Fun.”
# # #
Liz Mandeville – Playing with Fire
(Blue Kitty Music)
Chicago-based vocalist/guitarist/songwriter Liz Mandeville teams up with
artists from five different nations and, giving them plenty of space to
deliver individual sets, proving once again that blues is a universal
language, as they put their own spin on original tunes frequently imbued
with sexual themes.
Guitarists Dario Lombardo (Italy), Minoru Maruyama (Japan), Peter
Struijk (Netherlands) and Big Dez along with harp player Gilles Gabisson
(France) are featured along with American blues fiddler Ilana Katz Katz
in segments that range from basic country blues to rip-roaring sounds of
the Windy City. Adding to the mix are appearances by guitarist Rockin’
Johnny Burgin and violinist Anne Harris.
A diverse
package that’s interesting throughout, some of the top hits include
“Just Give Her Chocolates,” “Comfort Food Blues,” “Everybody Got Wings,”
“He Loves My Biscuits,” “Boss Lady” and “Hey Babe You Wanna Boogie?”
# # #
Tony Holiday – Soul Service
(VizzTone Label Group VT=THPS-02)
Memphis-based soul-blues singer and harmonica player Tony Holiday
delivers a warm and fuzzy follow up to his star-studded
Porch Sessions, delivering a
set of original tunes co-written with perennial Blues Music Award
nominee John Németh and boosted by a drop-in appearance from Victor
Wainwright.
Considered to be among the top young harp players in the U.S. today,
Holiday possesses a relaxed voice, is skilled on both diatonic and
chromatic and carries forward old-school sensibilities to a modern
audience, something that comes across on every cut here.
Be sure
to tune into “Paying Rent,” a Chicago-style pleaser that finds him
heartbroken and living in a broken home and urging listeners to keep
their eye on the prize or else they’ll lose everything. Other winners
here include “She Knocks Me Out,” “Checkers on the Chessboard,” “Day
Dates (Turn into Night Dates)” and “Ol’ Number 9.”
# # #
Reverend John Lee Hooker Jr. –
Testify
(Steppin’ Stone Records)
John Lee
Hooker Jr. spent his troubled youth following in the musical footsteps
of his father in a life marred by drug addiction and prison sentences.
But he finally cleaned up his act after turning to God, something that
comes through loud and clear on this stellar CD, a powerful blend of
autobiographical content and deep spiritual messages delivered in
blues-infused gospel.
Always
deeply religious despite his issues, Hooker graduated Newburgh Seminary
in Indiana after serving for a decade as a hospital chaplain. Now back
home in the San Francisco Bay area, he currently ministers to prison
inmates. He’s assisted here by Charlie Musselwhite, a full horn section
and seven-piece choir as he delivers the gospel and a whole bunch more.
Hooker’s
strong baritone details his early struggles in the opener, “Listen to
the Spirit,” before weaving the story of his recovery and salvation
through the rest of the uplifting set. The highlights are bountiful.
Don’t miss “Preach It Like It Is,” “Let That Devil Go” and a stellar
arrangement of “Amazing Grace,” among others.
# # #
Ruthie Foster – Live at the
Paramount
(Blue Corn Music BCM2001)
There’s a
good reason that Texas songbird Ruthie Foster won back-to-back Blues
Music Awards as traditional female vocalist, but she’s got a lot of
uptown cool, too – something that’s evident on this surprising disc on
which she fronts a 14-piece orchestra and three backup singers directed
by a world-class conductor while reinventing some of her own hits and
delivering a few familiar standards, too.
A former
big-band singer in the U.S. Navy, Ruthie returns to her roots, donning a
blue gown instead of her customary jeans for this over-the-top, but
laid-back set of tunes arranged by conductor John Beasley and powered by
a 10-piece horn section atop a traditional four-piece blues ensemble.
Foster’s
introduced by daughter Maya before launching into a set that features
stunning versions of “Brand New Day,” Johnny Cash’s “Ring of Fire,”
“Death Came a-Knockin’/ Travelin’ Shoes,” “Joy Comes Back” and
show-stopping takes on “Fly Me to the Moon” and “Mack the Knife,” too.
Don’t miss this one. It’s a treasure!
# # #
Mark Telesca – Higher Vibrations
(Self-produced CD)
One of
the brightest lights on the South Florida music scene, Mark Telesca
celebrates his victory over cancer with this collection of acoustic
blues – nine originals that mix perfectly with six blues and gospel
covers culled from the pre-War era and more.
A singer,
songwriter, guitarist, bassist and bandleader as well as author, he’s
best known nationally through his work with Mick Kolassa, with whom he
released the well-received You
Can’t Do It CD. This is his
second solo effort following a 2016 album of electric blues. A stellar
fingerpicker with an exceptional sense of time, his only accompaniment
here is snare drum contributed by his producer, Bob Taylor.
Among the
high points are “99 Years,” a timeless original delivered from the point
of view of someone trapped behind bars for something he didn’t do,
“Black Dress,” a clever plea for his lady to quicken her pace readying
for a night out, “Lookin’ for Some Gold,” “Life in the City,” a
sprightly view of Manhattan, and an interesting acoustic cover of Al
Green’s song of desire, “I’m a Ram.”
# # #
Tinsley Ellis –
Ice Cream in Hell
(Alligator Records ALCD 4997)
Beloved
Atlanta-based blues-rocker Tinsley Ellis has never sounded more focused
than he does on this all-original album, cutting like a knife with his
six-string as he dissects the downside of romance from several different
directions.
The 20th
CD in Tinsley’s career, it’s a welcome return to the studio for him
after spending most of the past year touring in the company of Tommy
Castro. It’s a follow-up to 2018’s
Winning Hand, a more upbeat effort that received plenty of awards
attention.
Among the
must-listens here are “Last One to Know,” which describes love as a
combat zone – and you’d better be ready to fight, “Ice Cream in Hell” –
the time when he’ll take back his ex, “Hole in My Heart,” “No Stroll in
the Park,” “Evil Till Sunrise,” “Unlock My Heart” and the poignant
ballad, “You’re Love’s Like Heroin.” Don’t be dissuaded from buying this
one because of the themes, though. It just might be his best yet!
# # #
Bob Corritore & Friends – Do the
Hip-Shake Baby
(SWMAF Records)
Now based
in Phoenix, Ariz., where he’s owned and operated the Rhythm Room for the
past 25 years, Bob Corritore is a Chicago-born harmonica player who
surrounds himself with the best talent on the planet and delivers music
in true Windy City fashion – something that’s unmistakable in the
grooves of this one.
Produced
in association with the Southwest Musical Arts Foundation, it’s a 13-cut
CD on which Corritore plays in support of a roster of 20 major talents
from all corners of the U.S., including Kid Ramos, Junior Watson, Bob
Welsh, Bob Stroger, the late Henry Gray, John Primer, Andy T, Anson
Funderburgh, L.A. Jones and many more – and allowing all of them plenty
of space to shine.
This one
powers out of the gate with Mighty Joe Milsap and The Freemonts in
charge for “Shake Your Hips” and flows like a river throughout with
updated versions of several classics, including “The Twist,” featuring
Gray in one of his final recordings, “Trying to Make a Living,” “Stand
By Me” and a whole lot more.
# # #
The Nighthawks – Tryin’ to Get to
You
(EllerSoul Records ELL 20202)
Harmonica
player Mark Wenner and The Nighthawks have been traveling the highways
and byways of America for 48 years and are considered to be one of the
best bar bands ever. But they cut new ground on this CD, which delivers
the same powerful music, but with a lineup that features two new members
who take their music to higher levels than ever before.
Guitarist
Dan Hovey and bassist Paul Pisciotta join longtime percussionist Mark
Stutso signed aboard after longtime members Paul Bell and Johnny Castle
decided they no longer wanted to tour. But the four-piece band’s feel
and four-piece harmonies continue unabated in this mix of old-school
blues, rock, R&B, soul and doo-wop. Wenner and Hovey now split lead
vocals.
The
highlights include a great remake of “Come Love,” which was first
recorded by Jimmy Reed and penned by the owners of Vee-Jay Records in
the ‘50s, the Elvis classic “Tryin’ to Get to You,” T-Bone Walker’s “I
Know Your Wig Is Gone” and the originals “Baby It’s Time,” “Somethin’s
Cookin’” and “The Cheap Stuff.”
# # #
Vince Agwada – Light of Day
(Rocketnoodle Music)
www.vinceagwada.com
Los
Angeles-based guitarist/vocalist Vince Agwada cut his teeth on the South
Side of Chicago and has been a fixture on the blues scene since the
‘70s, where he established himself in the house bands at both Theresa’s
and the Checkerboard Lounge and spent extensive time working in support
of Lefty Dizz, Junior Wells, Sugar Blue, Koko Taylor, Larry McCray and
others.
Vince
finally launched a solo career in 2008, and
Living Blues magazine
recognized him as one of the 40 greatest young blues talents of his
generation. Despite the honor, this is only the third release under his
own name -- a lengthy, fiery mix of original contemporary blues and
blues rock delivered with the assistance of several of the most
important sidemen still working in the Windy City.
Vince
flies under the radar, but definitely deserves your attention. Some of
the standout cuts here include “Two Tons of Fun,” “I Wanna Fly,”
“Quicksand,” “Angelina,” “Southbound 69” and “Credit Card,” a deep blues
lament about excessive spending that will strike a familiar chord with
anyone struggling to make ends meet today.
# # #
Catfish Keith – Catfish Crawl
(Fish Tail Records FTRCD017)
www.catfishkeith.com
Catfish
Keith captured the 2019 Blues Blast Music Award for his most recent
previous CD, Reefer Hound, an
all-acoustic collection of songs with marijuana themes. A guitarist who
switches between traditional and resonator instruments, he carries
forward the songster tradition on this one, delivering a mix of
well-chosen covers and tossing in four originals for good measure.
Born in
East Chicago, Ind., but based out of central Iowa, Keith is a three-time
Blues Music Awards nominee who’s been a fixture on the international
country blues circuit for decades, mixing Delta and roots, singing in a
pleasant, mid-range baritone and accompanying himself with foot stomps
as he delivers light and airy music that’s full of warmth and deep
emotion.
The
covers here come from the catalogs of Jessie Mae Hemphill, Big Bill
Broonzy, The Carter Family, Johnny Shines and others, and all are
terrific. And Catfish’s originals – “Catfish Crawl,” “Don’t You Call Me
Crazy,” “Little Pal of Mine” and “Memphis Morning Train” – all come
across with a timeless feel.
# # #
Linsey Alexander – Live at Rosa’s
(Delmark Records DE-862)
www.linseyalexander.com
A fixture
in Chicago since the early ‘60s and known as The Hoochie Man, Linsey
Alexander possesses a booming baritone voice, straight-ahead, no-frills
guitar skills and more energy than most men half his age, something
that’s easily apparent in this live set.
Following
the blueprint laid down by Otis Rush on another Delmark release,
All Your Love, I Miss Loving, Linsey recorded this set at Rosa’s
Lounge on the city’s North Side and backed by keyboard player Roosevelt
Purifoy, percussionist Big Ray Stewart and bassist Ron Simmons, who’s
been at his side for four decades.
Traditionalists will love this mix of five originals and four covers,
which deliver contemporary blues with a familiar, throwback feel. Some
of the best cuts include “Please Love Me,” “My Days Are So Long,” a
tremendous cover of Latimore’s “There’s Somethin’ ‘Bout ‘Cha,” “Snowing
in Chicago” and “Going Back to My Old Time Used to Be.”
# # #
Albert Castiglia – Wild and Free
(Gulf Coast Records)
www.albertcastiglia.net
South
Florida-based blues-rocker Albert Castiglia follows up on his Blues
Music Award-winning CD,
Masterpiece, with this powerful live set, and the end result should
put him in major contention for another trophy when next year’s prizes
are handed out.
Captured
in January at the Funky Biscuit, a jewel on the blues highway in Boca
Raton, Albert’s delivery is in-your-face throughout backed by his road
band, Justine Tompkins on bass and Ephraim Lowell on drums, with Lewis
Stephens on keyboards and guest appearances by Mike Zito and John Ginty.
This
one’s unrelentingly intense from the opening bars of “Let the Big Dog
Eat.” Other pleasers sure to rock your socks off include “Hoodoo on Me,”
“Get Your Ass in the Van,” “Keep on Swinging,” “Too Much Seconal” and
covers of Paul Butterfield’s “Lovin’ Cup” and Freddie King’s “Boogie
Funk.”
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